David Eichelberger

David Eichelberger at MudFire

Gallery group show de la Fleur, February 2012

David Eichelberger Artist Bio

David Eichelberger is currently in his final year as resident artist at The Energy Xchange in Penland, North Carolina. He earned a BFA in Ceramics from Virginia Polytechnic Institute and State University, followed by additional studies at the Penland School of Craft. Prior to his Energy Xchange residency, David spent several years in New Mexico at Santa Fe Clay where he taught ceramics and was also involved in the gallery/retail operations. David fires his work in kilns fueled by recovered landfill gas, helping to protect the environment.

His artwork exhibits a refined sense of design, with crisp forms executed thoughtfully and flawlessly. The surface of his work is enhanced with quiet markings embodying a determined precision. Subtle variations in color and texture resulting from atmospheric firing add another dimension. The result is a fresh, futuristic feel that involves the viewer in quiet appreciation today, and a level of depth which hints at the stream of delightful surprises that will come with tomorrow's contemplation.

Relatively early in his career, David has established a polished voice and extraordinary style. He is an exceptional designer who already stands out in the next generation of ceramic artists. MudFire is thrilled to present to Atlanta an in-depth look at his latest thinking with this large collection of new work.

David Eichelberger Artist Statement

I work within the boundaries of functional ceramics because it gives me the opportunity to share my artwork with viewers in a direct way. The finished vessel can be appreciated on display, in the hand, and on the table. This allows a relationship to form between the pottery and the user that can be straightforward and complex at the same time.

I am always finding beauty in both the organic world and in the man-made, industrial realm. There are overlapping qualities that captivate me, and when I perceive something as beautiful, I feel obligated to investigate why. Through this exploration I attempt to discover the reasons for my attraction, and then it is my goal to express those traits in my pottery.

One main characteristic in my work is the use of clean, graceful lines in the profile of a pot. I choose delicate, smooth curves because of their ability to be comfortable and at ease when viewed. Another trait in my art is the repetitive use of lines and dots. I use these motifs to portray aspects growth patterns as seen under a microscope, in plants, and also in urban housing and building construction projects. The decorations are not an attempt to literally mimic those things, but rather to reflect their qualities of density, complexity, and uniformity.

The whiteness of the porcelain I use allows my glazes to stay bright, and it keeps the decoration crisp. I prefer for my pottery to be refined and precise, but simple and inviting at the same time. Every pot I make leads to the next, leading to continued exploration.